• Quarter sawn flame and flat sawn maple necks, all my timber is responsibly sourced as I am a keen supporter of the Forest Stewardship Council. http://www.fsc-uk.org/en-uk
  • I am no longer using Rosewood of any kind, due to the CITIES Restrictions, I now use very dark and responsibly sourced Katalox and Pau Ferro, these are virtually identical to the banned timbers and are actually far more consistent in colour, feel and tone.
  • Lightweight one or two piece Alder or Ash bodies, Alder bodies are warmer and woody in tone common of the wood used by Fender in the early to mid 1960’s, Ash is brighter with a pronounced midrange scoop and a tight bass response, this is the timber used for bodies by Fender in the early to mid 1950’s, it was also used by Fender on all of their ‘Blonde’ guitars            
  • Ultra thin cellulose finish used from the wood up
  • Jescar 6100 or 6105 fretwire is most popular
  • Vintage bone top nuts painstakingly cut by hand one at a time
  • Mark Foley wound 59 Reserve pickups used almost exclusively on all SVL guitars with AnalogMan/Lindy Fralin pickups now used in my 'Supernatural and Blaggard' styled guitars
  • Callaham bridges and saddles
  • Callaham vintage machines
  • CTS ‘correct feel’ vintage style pots with a 3% or less tolerance (Hand tested and checked)
  • CRL ‘correct feel’ switches
  • Vintage N.O.S paper in oil tone caps
  • Switchcraft sockets
  • 22 AWG cloth covered wire used throughout
  • Vintage style Strap buttons fitted
  • All colour options available, email for details

Necks are available in various profiles, my slim 63 ‘C ‘shape being my favourite, a soft fifties ‘V’ and a larger feeling ‘Texas Blues’ are both very popular. The 63C is approximately .820 at the first fret with a .070 taper towards the 12th fret, The Texas Blues is .860 with the same .070 taper, this neck also features a slightly asymmetrical contour which fits a players had perfectly.

Fingerboards are cut to a standard compound 7-1/4" to 9-1/2" radius. I find this to be a perfect combination between a vintage and modern feeling radius, giving you the ease of chording in the lower registers and the ability to bend notes on the higher frets without buzzing or choking out. This is the radius ordered by the majority of my customers.

The 7-1/4" to 9-1/2" and 10" to 12" are also some of my popular choices, these are also available in a straight radius, other fingerboard sizes are available, feel free to contact me for details.

Rosewood fingerboards are oiled to a high lustre with my own blend of natural oils (no longer Linseed based) this oil is also available from me

Nut width is the vintage feeling 1.650" this has become my number one choice.

Dots and inlays are usually 60's style Callaham ‘real’ Clay dots or Black 50's style Delrin.

Any other spec’s and details not listed please contact me